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A high gain distortion pedal, specifically aimed at producing hard-hitting metal tones. A Filter control helps to shape the tonal accent while the level of grind is taken care of by a wide ranging Gain rotary.

Features:
Heavy duty die-cast metal case
Ultra high gain analogue distortion
Powered by 9v battery or optional PSU

Controls:
Effect Level Control
Filter Control
Gain Control

A compressor pedal for sustained clean guitar notes. The ideal tool for smooth arpeggios and mellow lead lines or to squeeze more hold into a high gain lead line.

Features:
Heavy duty pedal design
Pure Analogue circuitry
Powered by 9v battery or optional PSU

Controls:
Effect Level Control
Compression Level Control
Sustain Control

A digital reverb pedal for guitar which gives complex and lush reverb effects from its internal DSP engine. 6 reverb algorithms offer a wide flavour of spatial effects, which can be tailored via the Tone, Time and Effect Level parameter controls. Professional digital quality in a compact, stage-friendly format.

Features:
6 different reverb algorithms
High speed DSP processing

Controls:
Variable Tone Control
Decay Time Control
Effect Level Control

A fully analogue chorus effect pedal to give a lush, ringing effect to any guitar line. This process especially lends itself to clean arpeggios and jangly chord sequences, giving the impression of width and spread. The CH-50 provides this across many settings to suit various guitar styles.

Features:
All analogue circuitry for classic effect
Sturdy die-cast pedal design
Powered by 9V battery or optional PSU

Controls:
Speed Control
Depth Control
Effect Level Control

The Chord DL-50 provides guitarists with an affordable approach to guitar effects, providing a true analogue delay effect pedal for guitar to produce echo and doubling effects. Vintage delay effects are possible from rockabilly slap-back to multi-repeat echoes.

Features:
Up to 800ms delay
Analogue BBD circuitry
Powered by 9V battery or optional PSU
Solid Metal Casing

Controls:
Delay Time Control
Feedback Control
Delay Level Control

Classic BOSS overdrive, based on a dual-stage design for bigger, fuller sounds. Variable Drive and Tone controls create overdriven sounds from mild to extreme with almost endless sustain.

Specifications:
Nominal Input Level: -20 dBu
Input Impedance: 1 M ohms
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohms
Equivalent Input Noise Level: -115 dBu (IHF-A Weighted, Typ.)
Connectors: INPUT Jack, OUTPUT Jack, AC Adaptor Jack (DC 9 V)
Power Supply: DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor
Current Draw: 9 mA (DC 9 V)
Accessories: Dry Battery 9 V type (6F22/9 V)
Optional: AC Adaptor (PSA-Series)

Size and Weight ( incl. battery ):
Width: 73 mm 2-7/8 inches
Depth: 129 mm 5-1/8 inches
Height: 59 mm 2-3/8 inches
Weight: 0.4 kg 0 lbs. 15 oz.

Compresses louder signals while boosting lower signals for smooth sustain without degrading the original sound quality. Onboard EQ for precise tonal control and low-noise design for super-quiet operation.

Specifications:
Nominal Input Level: -20 dBu
Input Impedance: 1 M ohms
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohms
Equivalent Input Noise Level: -110 dBu (IHF-A Weighted, Typ.)
Connectors: INPUT Jack, OUTPUT Jack, AC Adaptor Jack (DC 9 V)
Power Supply: DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor
Current Draw: 11 mA (DC 9 V)
Accessories: Dry Battery 9 V type (6F22/9 V)
Optional: AC Adaptor (PSA-Series)

Size and Weight ( incl. battery ):
Width: 73 mm 2-7/8 inches
Depth: 129 mm 5-1/8 inches
Height: 59 mm 2-3/8 inches
Weight: 0.4 kg 0 lbs. 15 oz.

Eliminate unwanted noise and hum without altering your tone. A unique noise detection circuit preserves the natural attack and envelope, leaving your playing and dynamics intact.

Specifications:
Input Impedance: 1 M ohms
Output Impedance: 10 k ohms or greater
Equivalent Input Noise Level: -110 dBu or less (IHF-A, Typ.)
Connectors: INPUT Jack, OUTPUT Jack, RETURN Jack, SEND Jack, DC In, Out
Power Supply: DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor
Current Draw: 20 mA (DC 9 V)
Accessories: Dry Battery 9 V type (6F22/9 V)
Optional: AC Adaptor (PSA-Series)

Size and Weight ( incl. battery ):
Width: 73 mm 2-7/8 inches
Depth: 129 mm 5-1/8 inches
Height: 59 mm 2-3/8 inches
Weight: 0.4 kg 0 lbs. 15 oz.

Used by Pros everywhere: A classic! Add some hard-edged distortion while preserving the subtle nuances of your playing dynamics. A Tone control is provided for easy sound shaping.

Specifications:
Nominal Input Level: -20 dBu
Input Impedance: 470 ohms
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohms
Equivalent Input Noise Level: -122 dBu (IHF-A, Typ.)
Connectors: INPUT Jack, OUTPUT Jack, AC Adaptor Jack (9 V DC)
Power Supply: 9 V DC: Dry Battery 9 V type, AC Adaptor
Current Draw: 4 mA (9 V DC)
Accessories: Dry Battery 9 V type (6F22/9 V)
Optional: AC Adaptor (PSA-Series)

Size and Weight ( incl. battery ):
Width: 73 mm 2-7/8 inches
Depth: 129 mm 5-1/8 inches
Height: 59 mm 2-3/8 inches
Weight: 0.4 kg 0 lbs. 15 oz.

Features dual-gain circuitry for thick, tube stack distortion with heavy mids and lows and long-lasting sustain. A 3-band EQ with semi-parametric mids takes your sound to the extreme.

Specifications:
Input Impedance: 1 M ohms
Output Impedance: 1 k ohms
Recommended Load Impedance: 10 k ohms or greater
Equivalent Input Noise Level: -110 dBu or less (IHF-A, Typ.)
Connectors: INPUT Jack, OUTPUT Jack, AC Adaptor Jack
Power Supply DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor
Current Draw: 20 mA (DC 9 V)
Accessories: Dry Battery 9 V type (6F22/9 V)
Optional: AC Adaptor (PSA-Series)

Size and Weight ( incl. battery ):
Width: 73 mm 2-7/8 inches
Depth: 129 mm 5-1/8 inches
Height: 59 mm 2-3/8 inches
Weight: 0.4 kg 0 lbs. 15 oz.

The Reflector pedal is a stereo reverb pedal offering a
maximum delay time of 2000ms. From a spacious hall to the
sound of a studio plate via the pulsing of a vintage spring, the
Reflector recreates six different reverb modes for you to
explore giving you full control over the reverb time, damping
and level of every mode.

The Reflector's dual outputs offer the choice of using a
passive bypass for the main signal path to ensure complete
tonal integrity or allowing the pedal to spill-over allowing your
reverb tails to naturally die away. Combined the outputs create
a stereo reverb effect creating a wide spacious field.

Controls:
Multi-Mode Selector Switch
Reverb Time Control
Damping Control
Level Control

Features:
Solid Metal Casing
Passive Bypass
Expression Pedal Input

The Regenerator RG-1 is every modulation pedal you'll need in
one package. It is a stereo modulation pedal recreating six
different modulation modes for you to explore giving you full
control over the modulation time, modulation depth and
regeneration of every mode creating a truly awesome stereo
sound field.

Controls:
Multi-Mode Selector Switch
Speed Control
Depth Control
Regeneration Control

Features:
Solid Metal Casing
Passive Bypass
Expression Pedal Input

The Jackhammer is the next step on from previous Marshall distortion
pedals. It contains our most extreme distortion levels to date,
combined with a Contour section that allows you to not only scoop out
the mids, but also choose the frequencies at which the scoop occurs.
This means that you can tailor your sound to your own individual
requirements.

Although the Jackhammer has more aggresion and gain than any other
Marshall pedal, we never forget our heritage. The sounds contained are
always natural and realistic, like a super high-gain valve head pushed
to the max.

The Jackhammer features two modes; Overdrive and Distortion.
Overdrive delivers an open crunch for that classic Marshall roar,
whereas Distortion gives you a smooth and singing compressed high
gain tone.

The Jackhammer features a passive bypass for the main signal path, to
ensure complete tonal integrity and has a quality of tone matched only
by its versatility.

Controls:
O/D and Distortion Mode Switch
Volume/Gain Control
Bass/Treble Control
Contour Level/Contour Frequency

Feature:
Solid Metal Casing
Passive Bypass

Of all the retro effects to hit the shops in recent years, perhaps
the most authentic and coolest is tremolo. Instantly calling up
the spirit of the 60s, Tremolo was the first effect to appear on a
Marshall amp in the early 1960s. The late 90s sees Marshall
updating the tremolo effect in the form of the Vibratrem.
By using split phase modulation a truely awesome stereo sound
field can be created by connecting the VT-1 up to two amplifiers.
The Vibratrem features a passive bypass for the main signal path
to ensure complete tonal integrity and has a quality of tone
matched only by its versatility.

Controls:
Vibrato and Tremolo Mode Switch
Speed Control
Depth Control
Wave Shape Control

Features:
Solid Metal Casing
Passive Bypass
Second Output for Stereo Spread

The Echohead pedal is a stereo delay pedal offering a
maximum delay time of 2000ms. From crystal clear echoes to
hypnotic reverse delays via the vintage whir of an old tape
machine the Echohead recreates six different delay modes for
you to explore giving you full control over the delay time,
feedback and level of every mode.
The Echohead's dual outputs offer the choice of using a
passive bypass for the main signal path to ensure complete
tonal integrity or allowing the pedal to spill-over allowing your
echoes to naturally die away. Combined the outputs create a
stereo ping-pong effect creating a wide dynamic field.

Controls:
Multi-Mode Selector Switch
Delay Time Control
Feedback Control
Level Control

Features:
Solid Metal Casing
Passive Bypass
Tap Tempo Input (for use with PEDL-10040; sold sepeparately)

Launched in the 1980’s, the original Guv’nor became a classic
footpedal known for high quality distortion tones. Much loved by
pros, semi-pros and amateurs alike, the Guv’nor earned itself a
special place in the hearts of distortion smitten guitarists the
world over.

The new Guv’nor Plus is an updated version of the original
Guv’nor. Within the sturdy metal housing lies the tone, feel and
sound of the original Guv’nor, but with extra features specially
designed to add extra power and flexibility to cope with the
exacting requirements of today’s musicians. The tonal versatility
of the Guv’nor Plus is such that it is like adding another Marshall
amp to your existing set-up.

The expanded Gain structure allows you to steer your guitar tone
through many different styles. From natural sounding vintage
valve amp break-up, ideal for singing blues, to chunky JCM 800
classic rock tones, right through to modern day super-saturation,
for liquid sustain and grinding chords. In addition you will also
find a Deep control which adds a resonant bass boost, giving
you similar feel and response to the resonant thump of a
Marshall 4 x 12 cabinet.

The Guv’nor Plus features a passive bypass for the main signal
path to ensure complete tonal integrity and has a quality of tone
matched only by its versatility.

Controls:
Gain Control
Deep/Bass Control
Mid/Treble Control
Volume Control

Features:
Solid Metal Casing
Passive Bypass

Compression is perhaps one of the most useful and versatile
effects available to any guitarist who is interested in improving
their tone.

The purpose of the Compressor pedal is primarily to allow you
to modify the sustain and attack of your guitar sound. Using
classic variable gain techniques the Compressor will provide
masses of clean sustain, which you can utilise whatever your
style. The Compressor pedal senses the level of the incoming
guitar signal and as the signal level decays the gain of the
internal circuitry is boosted to provide extra level and hence
sustain.

The attack control modifies the dynamic response of the guitar
signal (the effect of plucking a string) and allows you to
achieve a range of effects from rounded and mellow to
percussive and funky.

The Compressor also features an Emphasis control which
allows you to assign compression and target the frequencies
you want to compress. This means that you can, for example,
tighten up or compress your bass notes and let your treble
notes ring out.

The Compressor features a passive bypass for the main signal
path to ensure complete tonal integrity and has a quality of
tone matched only by its versatility.

Controls:
Emphasis Control
Volume Control
Attack Control
Compression Control

Features:
Solid Metal Casing
Passive Bypass

The Bluesbreaker II takes the philosophy of Marshall's original Bluesbreaker pedal one step further and features two modes,
Blues and Boost. This effectively makes it two pedals in one.

Boost Mode is designed with the vintage valve amp or ‘tone
purist’ type of guitar player in mind. If you don’t want to alter
the tone of your amp at all, but want to drive the front end
harder to push the amp further into natural overdrive. The
Boost mode features a clean boost controlled by the pedal’s
volume control, which will not affect your original tone. It can
also be used for boosting the signal which can sometimes be
lost when using long leads (particularly with single coil pickups).

Blues Mode is reminiscent of the tonal and distortion
characteristics of our non master volume amps such as the
classic Bluesbreaker combo from the 1960s. This Mode
produces a wonderful natural style overdrive for crunchy
chord work and singing single notes for truly inspirational
leads, all delivered with the warmth and tonality of those early
Marshalls.

The Bluesbreaker II features a true full passive bypass for the
main signal path to ensure complete tonal integrity and has a
quality of tone matched only by its versatility.

Controls:
Blues or Boost Mode Switch
Drive Control
Tone Control
Volume Control

Features:
Solid Metal Casing
Passive Bypass

When people talk about wah pedals, they're talking about the Crybaby. This is the original—the one that created some of the most timeless sounds in rock. Relied on by Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour, and many other greats Features: Heavy die cast construction for years of reliability, 100K ohm Hot Potz potentiometer that allows for that quick, abrupt wah sound. Powered by the Dunlop ECB-003 AC Adapter and/or 9 volt battery.